Thom Yorke is considered to be an innovator in the music
industry. One of his innovations came in 2007 with the release of In Rainbows. Radiohead offered its fans
a unique option: “a
pay-what-you-want download”. This created considerable buzz at the
time. In a recent article, in The
Guardian, Yorke seems to have new insight regarding the pay-what-you-want
model.
Yorke said that at the time, Radiohead felt that they “were
subverting the corporate music industry with In Rainbows”. In hindsight, he
feels that they actually played into the “hands of Apple and Google…” (Adams,
2013). Yorke continues by expressing
concern that these technology companies are effectively stealing from artists
in order to keep their stock price up.
There is little question that most people would agree that illegal
downloads are theft. But how should the music industry harness the impact of
technology? Fast Internet and highly efficient digital media encoding technology,
such as what is demonstrated in MP3s, have created a permanent shift in how
most music is purchased. According to an article on the Rolling
Stone's website, Steve Jobs worked tirelessly to negotiate with the major
labels to sell individual songs for only 99 cents. Warner’s
Ames stated in the same article, "His stock went from $8 billion to
$80 billion and ours went in reverse."
The shift to digital has been solidified and there is no
chance of going back. The upside is that digital technology means never having
to be inconvenienced by changing the side of the record; infinite songs are
right at your fingertips. Music is portable
and inexpensive, but at what cost? Will there come a point in time when the
last great song is commercially released? A bleak view, perhaps, but it appears
that technology is making it difficult for the music business while
simultaneously benefiting the technology companies. The fact is, the music
industry must find a way to fairly compensate songwriters and performers in the
digital age, or artist may become extinct.
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