Simply put, things have changed for A&R. As an example,
A&R has previously served as a gatekeeper, but in the digital age, A&R
has become more of filter, according to an article in the Guardian.
Additionally, talent development is more on the shoulders of the artists. At
one time, labels would spend years developing artists such as Coldplay. According to Music
Think Tank record labels are not interested in acts that lack a strong, interactive fan base.
The digital age has removed the need for artists to be
signed to a record label to distribute digital content. Services such as Tune Core can get anyone’s music distributed
through iTunes, Amazon’s mp3 Store and nearly all other digital stores around
the globe. The problem is that artists are competing with millions of other
songs in order to be heard. Independent artists do not have the capability of
effectively promoting their music for commercial airplay, according to The
DIY Musician. Maybe the principal argument in favor of signing with a major
label for almost all artists is promotion support. Major labels are promotion
machines that have tremendous resources and expertise. Therefore, although an artist can get
distribution on their own, they may still need a record label to help them find
an audience.
In addition to distribution, the Internet can help
independent artists attract the attention of major labels’ A&R teams. The Flobots found success with a self-released song
that received several hundred thousand plays on MySpace in 2005. The band’s
success attracted the attention of Universal Republic’s A&R, which signed
the Flobots to a record deal. Their follow-up songs did not match the success
of their Internet hit, and the label and band parted company.
Even with an exceptional track record, a band is only as
strong as their last song. The previous example of the Flobots illustrates the
importance of the discrimination that comes with the role of A&R. The
numerous plays on MySpace were taken as an indicator of the band’s
potential. Rather than being discovered
by A&R, the Flobots were discovered by the number of spins on MySpace. This was not enough to ensure the band’s
success going forward. A&R’s role must
evolve as technology evolves. However, technology is only a piece of a larger
puzzle. The Internet is a valuable tool for the function of A&R in
searching for, and identifying, talent. But the technology is only a resource
that enhances A&R functions.
Technology cannot successfully replace the discernment that is developed
over years of a career in A&R.

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